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Studio Monitor Placement, ultimate speaker placement walk through

Best Studio Monitor Speakers

Studio Monitor Placement, Obviously, the process of controlling the loudspeakers is complicated. The headphones are on and the performance is perfect – easy!

With Monitors things have gotten much more involved, so it will be very frustrating to anybody who wants to know quick answers. It’s impossible to simply purchase a monitor that is good quality for the money.

Monitors interact with the space where they are located, and the sound hitting your ears combines indivisibly with the influences from the space inside.

Ask almost all mixing engineers about their most important purchase for enhancing their mixes room and you will likely hear the same answer -studio reference Monitors.

Monitor and Listening Location

Sound reflects from walls, ceilings or floors. The audio levels of the listener improve as reflecting sounds coincide in phase with the direct sound.

Noise levels increase if the reflection sounds have an opposite effect from direct sound. When the walls haven’t been designed for the diffusion of sound energy most of the reflected sound energy leaves the reflection wall at its current angle.

Avoid putting the monitor at an angle so that the mirror on the wall or ceiling will travel toward the listener. When room dimensions match sounds wavelengths, sound energy accumulates into resonance.

Radiation Space

The radiation space represents the amount of sound that an instrument emits from it. The sounds are enhanced with the limits of wall noise. Every half-hour reduction in the radiation volume from the walls surrounding monitors increase the sound pressure.

banner, header, sound wave

Monitors with flat frequency response can achieve a 6 dB higher sound level on solid wall. In a corner this gain is 12 DB. The gain of 3 boundary lines is +18 Db with corners closed.

It is especially apparent in low-frequency frequencies. Learn how radiation affects your ears by studying sound in the Sound 101 section.

Wall Reflections and Cancellations

Moreover, removing walls from the speakers can affect sound quality in certain instances. If an area between the monitor and walls is larger than a quarter of the wavelength, reflections on the wall are in the opposite direction and the reflected signal cancels out the sound on the screen.

At such frequency, sound levels decrease. How much of reduction will happen varies by distance and how much noise is produced by the monitor’s screen behind it.

Ultimate Acoustics UA-WPW-12_24 Wedge Panel, 12″ x 12″ (24 pack – charcoal) – $159.99

UA-WPW-12_24 Wedge-Style Absorption Panel Professional Studio Foam – 12″x12″x2″ (QTY 24) The UA-WPW-12 professional Absorption Panel is the perfect blend of form and function for acoustically treating small, medium or large spaces. The wedge style holds traditional design, while the foam base provides maximum absorption in the smallest possible space. NOTE: Samples of Ultimate Acoustics studio foam products have been commercially tested, meeting the criteria for a Class B rating. Color fading may occur with UV exposure over time. Sunlight and direct light from standard bulbs should be avoided. Color fading not covered by warranty. Features: Professional 12″ x 12″ x 2″ professional studio foam panels Solid foam base for maximum absorption Design Style: Wedge Specifications: Part Name: UA-WPW-12_24 Part Number: 17755 Size: 12″ x 12″ x 2″ Type: Wall Panel QTY: 24 Design Style: Wedge Color: Charcoal Can be used with Ultimate Acoustics UA-AS1 Acoustic Adhesive Spray

Ultimate Acoustics UA-AS1 Acoustic Adhesive Spray

Ultimate Acoustics UA-BTB-24_2 Bass Trap, 12″ x 12″ x 24″ (2 pack – charcoal) – $99.00

UA-BTB-24_2 Professional Acoustic Bass Traps with Bevel Design – Quantity Two Let’s face it, most rooms were designed and built to house furniture and other box-type things. All that “squareness” provides the perfect environment for the low frequencies from your mix, songwriting, or rehearsal to build up in the corners of your space. Ultimate Acoustics’ UA-BTB-24 is a professional bass trap that reduces the effects of standing waves in your room – controlling and absorbing all that nasty rumble that gets in the way of you hearing your music accurately. With an elegant beveled finish, the UA-BTB-24 looks every bit as great as it performs. UA-BTB-24 is sold in pairs. NOTE: Samples of Ultimate Acoustics studio foam products have been commercially tested, meeting the criteria for a Class B rating. Color fading may occur with UV exposure over time. Sunlight and direct light from standard bulbs should be avoided. Color fading not covered by warranty. Features: Professional bass traps for controlling room nodes Two per box Color: Charcoal Height: 24 inches Design Style: Bevel Specifications: Part Name: UA-BTB-24-2 Part Number: 17750 Height: 24″ Corner Bass Trap Design Style:Bevel Color: Charcoal Can be used with Ultimate Acoustics UA-AS1 Acoustic Adhesive Spray

Ultimate Acoustics UA-FE-24_24 Foam Edging, 24

The wall reflection or rear reflection produce cancellations on multiple frequencies, it may be called comb filtering.

Verify studio monitor orientation

Many studio monitors can be installed in different positions. Several monitors, including the Presonus E5, E44 and E66 have the option of horizontal or vertical positioning.

If the studio displays are oriented vertically, the screen should reflect their counterpart with tweeters pointing to outside. Similarly for Mtm monitors such as Eris 44 and Eris e66 in vertical position.

They must be similar to one another with Twitterers on the exterior. The manufacturers suggest horizontal or vertical positioning, so you can experiment.

Monitor stands are worth the investment

Placing speakers directly on the desk may reduce sound quality; the sound waves that come out from them bounce off hard reflective surfaces like your desk and then reach your eyes.

Studio monitors can transfer vibration across all surfaces on which they sit and even on your table. Sometimes screws rattle and rattling are heard and can make dreadful sounds in a mix.

Your desk may be very resonant in the sense that if you switch up your monitor, it boosts some specific frequency by resonating with the sound of your monitor.

The driver should be the same height as your ears

Highfrequency data has a greater directionality than low frequency. It helps us hear better when the frequency is going into our ears.

Once the sweet spot has been created, place yourself at your ears level with the center tweet. In other instances placing the speaker vertically will cause the tweeter to be pointed too high over your ears.

Alternatively you can invert the speakers of the monitor in the opposite direction to get the tweets to the bottom. That may sound weird, but it worked.

Your speakers should form an equilateral triangle with your listening position

Often speakers will talk of the “sweet spot” or “sweet spot”. As previously discussed this is the middle of the two sides of stereo systems, where the speaker overlaps and where the stereo picture is most effective.

Create an ideal destination is quite straightforward.

Using your head the speakers can rotate or “toe-in” the speakers. This means they can be placed in equilateral triangles – i.e. the speakers have the distance between them.

Set up your desk so that your speakers are away from walls and corners

Make sure you keep the speakers off the wall. 8-12 inches are sufficient in the case of noises from reaching the walls.

Sometimes this may not always work out and there is an easy way to minimize the cramped mix. (The rest will come up shortly; keep this in mind).

Another benefit of placing some distance between the speakers on the wall is that it allows easy access from the back of the rig and that’s no problem.

The speakers should be a different distance from the back wall than from the walls on either side

So as long as you have your mix in the corner, there’s no reason for you to put your mix in the corner. Make sure that the height from speakers to the walls in the background differs versus the depth of the sidewall closest to them.

Generally speaking your speakers are 6 feet from your wall and not 6 feet from your wall behind.

Studio Monitor Height

The monitors now form symmetric triangles at your listening point, so you have to get it to the correct height. The tweeters need to be adjusted to the ear height when sitting.

If they are too high, they are less accurate in ensuring that the correct stereo images are produced. It’s a good idea for the monitors to be placed in the same direction in order to provide a clear stereo picture

. Monitor stands can help raise the speaker up the appropriate amount. Most offices are so small you could put a screen on it. The monitors have very important roles. This speaker stands helps raise the monitors to the correct height.

Deal with Surfaces

Stands can be removed easily to remove the monitor from hard surfaces like desks. Reflections of sound cause vibrations as well irregular frequencies.

Some stands feature a sealed surface that can stop sound escaping through the frame or hitting any hard surface. This helps remove the monitor from its resonant surface by removing a rubber cover.

The best way to deal with the sound reflection is to purchase an isolation pad. This unit is also useful on stand alone or when there are shelves in the monitor’s place. This isolation pad absorbs vibrations, while minimising sound waves.

Rear wall

Once all sides are trimmed, there will be the rear wall. Your studio is largely influenced by how important it is. The rear wall is a major problem if your house has a small space but may not be as crucial in large rooms. The absorber panel helps to calm difficult spaces by reducing energy consumption.

Generally, a diffuse panel is used for solving this problem. These screens reduce direct sound reflection on your screen. It is not necessary to use paneling. All irregular surfaces will aid. These might be a bookhelf that contains several objects and possibly furniture.

Side wall

Next is the sidewall. Reflexes of the ceiling can pose the same problems. First, you must find out how many reflection points to ponder. Some of the above are outlined but the emphasis should be on one sidewall.

The correct positioning of the reflector point should provide optimum sound quality. It’s easy for you to hear the music.

Imagine your sides were mirrored so your monitor could be seen from your listening angle. Once the spot has been identified you must install acoustic panels for this wall reflection. This applies to the reflection on your walls or the roof.

Ideal listening position

You need a computer to listen to music. The best position for forming equilateral triangles is from your hearing position.

The distance between them must be exactly the same as the diagram above illustrates. A monitor is also directed at your head.

Equilateral triangles offer optimum results.

There are various kinds of recording monitors but they are mostly near fields and will have very small sweet spot. You may see an incredibly low sound quality when you get closer to the ideal spot. The idea came from a creative point of view.

The 38% rule

Now that you know what walls are best suited, the next step would be to find the appropriate place for your workspace. It provides an easy guide to choosing the correct spot. Measure room size and find 35%.

The wall must be far away and the wall must have enough space between them to reduce reflected noise.

The theoretical 38% offer an effective combination between peak and nulls. Please remember it is an overview and nothing will ever be fixed.

It is possible to change rooms depending on other factors. Depending on the monitor’s nature this could also affect it.

Symmetry is important

Having all the factors listed above you can find the best place to buy workstations.

From here, you will have to make more checks to make sure that you pinpoint where you should be located and it also has some helpful information that you can follow in the process. Firstly place your workstation between wall surfaces.

The camera is capable of producing stereo images with accurate colours. Another point to keep in mind is the distance from where your monitors are supposed to sit and to avoid a collision with the wall.

Room modes

When sound enters an external monitor, it’s called sound waves. Its distances are called wavelengths. It’ll reflect light onto the walls.

This wavelength can collide and produce waves. Standing waves affect sound waves that may make a recording unbalanced, which can cause serious mistakes when producing or mixing.

It’s because of this fact the dimensions of rooms are much more important than you’d expect it to be. The frequencies are very small in length. If possible, avoid a perfectly square space.

Which wall to put up on?

Choosing the proper wall will greatly help reduce problems. Installing your desk on a long wall in a rectangular area is a good choice.

It helps sound travel farther before it hits a wall or side wall. Unless the room is narrower than usual, a shorter wall may be an excellent alternative for eliminating rear reflection.

The wall you select will be determined by your room’s shape. The corner has numerous reflections and is difficult to achieve balanced outputs.

Tame your room

Now you find the optimal place for your desk and set it to its correct position. Moreover, you handled your reflections immediately.

Then we have to tackle the room. It is important in the small rooms. The smallest reflection can be obtained using different surface acoustics.

Reflecting walls can affect a studio or house. If you’re standing in a dark room, you know what noises occur in a nontreated room. Fortunately, you can take steps towards reducing it.

Vertical or horizontal orientation

You know where you’ve positioned yourself now. Firstly, you have to decide if they stand up straight or in the opposite direction. Some monitors have horizontal positions.

Most monitors are generally placed vertically although this is very different from monitors on different screens.

See the documentation on your Monitor to determine what orientations are preferred.

Front wall

It starts by attacking the wall of the building. It’s critical to tame low frequency levels in this area. This can be achieved through acoustic treatment behind monitors.

Bass frequencies are longer than HF and usually create acoustics in studio studios. Bass traps are designed to absorb reflections from the walls and reduce them by eliminating.

Putting it all together

If you follow this principle you will find your optimal work place. Before we start our journey it should be remembered the following are merely guidelines.

Your studio project will differ from each other and you will require adjustments depending on the specific dynamics in your space. But these details provide a good base.

Finding The Right Spot

All studio spaces differ in sound quality and acoustics that affect the sound of your monitor. It is therefore important to evaluate and know how to find a working place for your workstation in your studio.

Should studio monitors be angled up or down?

Get your monitors to ears-level.The horizontal and vertical distortions from the speakers’ directional pattern can vary dramatically with distance from front and center speakers to achieve maximum sound consistency.

What angle should my studio monitors be at?

The optimal stereo image is created by the listening position and monitor placement to create 3 points on the equal triangle.

What is the 38% rule?

The 38 PERCENT Rule. It uses a placement technique based on the 38 percent rule that the optimal listener position can be found in 38 percent of the room’s length. This allows the optimal balance between peak vs zero for any given room.

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The Best 11 Three-way Active Studio Monitor Speakers

The 11 Best 3 way active monitor speakers


The Best 11 Three-way Active Studio Monitor Speakers, The ability to listen to your mixes with a high degree of accuracy is arguably the best part of music production. So choosing the perfect pair of studio monitors is very important.

Hearing the mix detail means enhancing it and removing ambiguities, so getting the best monitor speakers is one sure-fire way to improve your musicmaking.

You love creating amazing music at home – whether it is sultry smooth Stevie Wonder covers, rambunctious Rachmaninoff rhapsody or big bassy club hits. Often a studio monitor is used.

speaker, box, studio monitor

As I work my way to becoming an audio engineer and songwriter, listening to my music is crucial to achieving the sound I want.

This is one of the most rewarding experiences of our lives. It may seem odd to you, but these listening systems don’t provide the exact accuracy that a studio monitor would.

Studio Monitors can provide audio editing solutions for mixing engineers with the clinically accurate sound ideal for the critical audio editing tasks.

3 way near fields

Things to consider before purchasing your studio monitors

When it comes to studio monitor selection, it’s a difficult process. It is a lot to consider.

Spending a little bit of time identifying your needs can be very helpful in determining the best monitoring device for your needs.

Below are compiled some key factors that must be considered when choosing monitor.

Unlike most bookshelf speakers or hi-fi Stereo System which are built for a complete sound, Studio Monitors are carefully engineered to provide a neutral image from source audio in attempt to replicate the original sounds as accurately as possible which will assist with creating the final product.

how much you got

How much do you have to spend?

Ultimately budget is important. Prices vary widely. Entry-level choices give you an incredibly low price and flattering responses.

However, as we move towards professional gear, prices could quickly increase. Although the monitors are a temptation it should be one of my top priorities. As with most things in life when it comes to quality you get what you pay for.

A good pair of studio monitors should be long lasting.

KRK Systems
The Best 11 Three-way Active Studio Monitor Speakers

Tell me the best size?

Active studio monitors are available in many shapes and sizes. The typical length ranges from 3-inch all the way up to 18-inch. Studio monitors having 4-inch woofers I would consider portable and another topic.

Lower midrange result. It’s typically quieter when it comes to bigger monitors.

A bigger monitor can give a better depth at higher frequencies. Understanding your requirements is important. It may affect what size you need most.

The size of the space and size of the tables can limit your choices. Bigger can never be better. It does not necessarily guarantee an optimal balance.

Our Top 11 3 Way Active Studio Monitor Speakers

There are countless choices when choosing Studio Monitors. However, we did everything for you.

choosing to go with all three way active nearfield monitor speakers as they are capable of producing a much more accurate sound reproduction.

With three separate drivers one for the low, middle, and high frequencies each with its own dedicated amplification and crossover, it enables a more direct separation of frequencies allowing more focused output hence clearer more accurate sound, and Pristine quality.

I didnt seperate my top choices by price or best for what genre of music, this is a list of the Best three way active monitors from each top end brand, Ear tuned is all about the highest quality of listening with a desire to bring you the best options to do so allowing you the most accurate, transcendental induced euphoric state of listening experience possible. Pure pleasure if you will.

These are the accurate lords of they’re branded names.

Enough already without further delay

ADAM audio S3V Powered Studio Monitor

ADAM Audio S3V

The ADAM Audio S3V is an active 3-way vertical studio monitor intended for use in mid-sized applications.

Despite its rather small size, the S3V is equipped with the power and accuracy that experienced engineers expect from a top-notch reference-grade monitor, allowing the reproduction of high-resolution, full-bandwidth audio with remarkable clarity.

Developed in Berlin with the most stringent tolerances, ADAM’s 3rd-generation S series monitors boast high-end technology, including their Extended Linear Excursion (ELE) woofer and DCH midrange driver designs, as well as their S-ART tweeter — a more precise and improved version of their renowned accelerated ribbon design.

The ADAM Audio S3V offers a flat 32Hz–50kHz frequency range, an expansive and stable stereo imaging, PWM ICE tri-amplification, and a very low distortion, making this monitor the perfect choice for professional-grade monitoring with reliable results session after session.


  • Vertical 3-way system with 1 x 9″ HexaCone woofer, 1 x 4” DCH midrange, and S-ART tweeter
  • S-ART tweeter, handmade in Berlin and manufactured to the tightest tolerances
  • Newly designed HPS and MPS waveguides, milled from a solid block of aluminum
  • New midrange driver with one-piece hybrid dome/cone (DCH) design
  • Custom-built Extended Linear Excursion (ELE) bass driver
  • Custom-designed Symmetrical Magnet Assembly (SMA)
  • Spacious bass reflex ports on the front baffle
  • Highly efficient 850W PWM ICE Power tri-amplification
  • Linear frequency response of 32Hz–50kHz
  • Maximum peak sound pressure per pair at 1m ≥ 124dB
  • Custom DSP engine
  • Analog XLR inputs
  • AES3 digital I/O
  • 2-year warranty; optional extension to 3 years with product registration
  • Sold individually

Technical Specifications

  • Powered: Yes
  • Power Configuration: Tri-amped
  • Quantity: Single
  • LF Driver Size: 9″ woofer
  • LF Driver Type: Hexacone
  • MF Driver Size: 4″
  • MF Driver Type: Carbon-composite
  • HF Driver Size: 2.2″ S-ART tweeter
  • LF Driver Power Amp: 500W
  • MF Driver Power Amp: 300W
  • HF Driver Power Amp: 50W
  • Total Power: 850W
  • Frequency Response: 32Hz-50kHz
  • Crossover Frequency: 250Hz, 3000Hz
  • Maximum Peak SPL: ≥124dB SPL @ 1m
  • Input Types: 1 x XLR, 1 x XLR (AES/EBU)
  • Output Types: 1 x XLR (AES/EBU)
  • USB: 1 x Type B
  • Enclosure Type: Ported
  • Height: 21.5″
  • Width: 11.5″
  • Depth : 15″
  • Weight: 55 lbs.<iframe sandbox="allow-popups allow-scripts allow-modals allow-forms allow-same-origin" style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//"></iframe>

KRK Rokit 10-3 G4 10 inch 3-way Powered Studio Monitor

KRK Rokit 10-3 G4

The KRK Rokit 10-3 G4 is a studio monitor that doesn’t break the bank and includes so much tech that it will help your tracks translate in all kinds of systems.

We love that it features a pro-grade 3-way design and Kevlar drivers pushed by an efficient Class D power amp with a built-in brickwall limiter, which ensures low distortion and natural sound.

Plus, its optimized high-frequency waveguide ensures wide, deep, dynamic sweet spot and phenomenal imaging.

The Rokit monitors also come with state-of-the-art DSP so you can maximize your acoustic environment with room correction, an LCD visual EQ, and much more!

The KRK Rokit 10-3 G4 is equipped with advanced digital signal processing (DSP) which makes it easier to create the perfect soundscape.

With its graphic equalizer, you can easily adjust and minimize any acoustic issues. You will be able to monitor the frequency parameters through the built-in LCD graph.

Moreover, you can get real-time frequency analysis with the help of the KRK app available on iOS and Android.

The KRK app not only helps you to adjust EQ settings but also to place the speaker, level-matching and other functions such as adjusting subwoofer levels, crossover settings and polarity. The app also includes a signal generator, a very useful tool for calibrating the device.


  • 4th-generation Rokit studio monitor with pro-grade 3-way design
  • Rigid Kevlar drivers ensure low-distortion sound reproduction
  • Efficient Class D power amp pumps out high-quality sound at reduced operating temperatures
  • Built-in brickwall limiter provides a balanced sound, safeguards against damage, and maintains your audio’s dynamics
  • Optimized high-frequency waveguide produces a wide, deep, dynamic sweet spot and incredible imaging
  • Low-resonance enclosure gives you spot-on low-end performance
  • Front-firing port yields excellent low-end response and straightforward speaker placement
  • State-of-the-art DSP includes room correction, an LCD visual EQ, and more
  • KRK app adjusts EQ settings, subwoofer levels, crossover settings, and polarity settings and aids with speaker placement and level matching
  • Onboard signal generator is a must-have for calibrating your system

Technical Specifications

  • Powered: Yes
  • Power Configuration: Tri-amped
  • Quantity: Single
  • LF Driver Size: 10″
  • LF Driver Type: Kevlar cone with rubber surround
  • MF Driver Size: 4.5″
  • MF Driver Type: Kevlar
  • HF Driver Size: 1″ tweeter
  • HF Driver Type: Kevlar dome
  • Total Power: 300W Class D
  • Frequency Response: 26Hz-40kHz
  • Maximum Peak SPL: 112 dB SPL
  • Input Types: 1 x XLR-1/4″ combo
  • Software: KRK Audio Tools App
  • Enclosure Type: Ported
  • Height: 21.5″
  • Width: 12.95″
  • Depth: 14.6″
  • Weight: 35 lbs.<iframe sandbox="allow-popups allow-scripts allow-modals allow-forms allow-same-origin" style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//"></iframe>3

Dynaudio LYD48 3 way Active Studio monitor

Dyn Audio LYD 48

The Dynaudio LYD 48 will take your mixing to a higher level of professionalism. As the new flagship of the LYD range, the LYD 48 builds upon the strengths of its stablemates and achieves superior performance across the board.

In a two-way design, the woofer has to work very hard to reproduce both low frequencies and a portion of the midrange.

Another inherent disadvantage is that the crossover to the tweeter takes place within that all-important midrange — where vocal tracks are most vibrant, where guitars have girth and body, and generally where mixes either shine or fall flat.

But having a dedicated midrange driver (and amp) delivers sweeping benefits: solid bass extension, improved midrange purity, lower distortion, higher SPL capability, and overall accuracy.

Suitable for both nearfield and midfield applications, this value-packed Dynaudio LYD 48 will help you make better recordings.


  • Studio Reference Monitor with 8″ woofer, 4″ midrange, and 1″ tweeter
  • Designed in mirror-imaged pairs, sold singly
  • Class D tri-amplified: LF 80W, MF 50W, HF 50W
  • Provides astonishing clarity across the frequency spectrum
  • Delivers neutral midrange response critical for proper placement of vocals and instruments
  • Advanced DSP lets you adjust low-frequency extension by +/-10Hz
  • Position and Sound Balance controls for optimizing performance for any environment
  • Expertly designed and crafted at Dynaudio’s facilities in Skanderborg, Denmark

Technical Specifications

  • Powered: Yes
  • Power Configuration: Tri-amped
  • Quantity: Single
  • LF Driver Size: 1 x 8″ woofer
  • MF Driver Size: 4″ mid range speaker
  • HF Driver Size : 1.1″ HF tweeter
  • HF Driver Type: Soft dome
  • LF Driver Power Amp: 80W
  • MF Driver Power Amp: 50W
  • HF Driver Power Amp 50W
  • Total Power: 180W
  • Frequency Response: 32Hz-21kHz
  • Crossover Frequency: 490Hz, 5.6kHz
  • Maximum Peak SPL: 112 dB SPL
  • Input Types: 1 x XLR, 1 x RCA
  • Features: Sensitivity, Bass Extension, Sound Balance
  • Enclosure Type: Ported
  • Height: 12.9″
  • Width: 14.5″
  • Depth: .2″
  • Weight: 23.2 lbs.<iframe sandbox="allow-popups allow-scripts allow-modals allow-forms allow-same-origin" style="width:120px;height:240px;" marginwidth="0" marginheight="0" scrolling="no" frameborder="0" src="//"></iframe>

HEDD Type 20 MK2 3-way Powered Studio Monitor

Editor's second choice

The HEDD Type 20 MK2 delivers true reference-grade sound quality. It has abundant power, dynamics, and openness — even at super-high levels.

This world-class active studio monitor boasts an innovative 3-way design, with a muscular 7-inch woofer, a dedicated 4-inch midrange driver, and HEDD’s high-definition AMT tweeter.

SHARC-powered DSP perfectly aligns the speaker for balanced detail across the sound stage. What’s more, HEDD’s CoP technology allows you to run the Type 20 MK2 in either closed- or open-port mode for maximum low frequency response.

You get three Desk Filter options and two Shelving Filter options to tailor the monitor to your room. Finally, high-end, stepped aluminum potentiometers give the Type 20 MK2 a classy, luxurious feel.

Whether you use it in nearfield or midfield applications, the HEDD Type 20 MK2 is a superlative choice for desktops.


  • Innovative 3-way design with a muscular 7-inch woofer and a dedicated 4-inch midrange driver
  • Air Motion Transformer (AMT) tweeter supplies impeccable transient response and ultra-high-frequency extension
  • HEDD Lineariser processing ensures outstanding transient reproduction and rock-solid stereo imaging
  • Closed or Ported (CoP) technology runs the speaker in either closed- or open-port mode
  • 3 Desk Filter options and 2 Shelving Filter options tailor the monitor to a room
  • Extend mode delivers deeper low-frequency extension (at the cost of some SPL)
  • Adjustable Volume and Inp. Sens. (input sensitivity) for optimizing the speaker’s output and signal-to-noise ratio
  • Analog and AES digital inputs make system integration easy
  • High-end, stepped aluminum potentiometers

Technical Specifications

  • Powered: Yes
  • Power Configuration: Tri-amped
  • Quantity: Single
  • LF Driver Size: 7″ and 4″ Honeycomb Woofers
  • HF Driver Type: HEDD AMT
  • Total Power: 3 x 300W
  • Frequency Response: 32Hz-40kHz
  • Crossover Frequency: 250Hz/3.200Hz
  • Maximum Peak SPL : 120 dB SPL @ 1m
  • Input Types : 2 x XLR (AES/Analog)
  • Output Types 1 x XLR (AES pass-through)
  • Other I/O: 1 x RJ45
  • Enclosure Type: Front Ported
  • Height: 11.02″
  • Width: 14.09″
  • Depth: 13.3″
  • Weight: 33.95 lbs.

ATC SCM25A Pro 3-way active studio monitors

ATC SCM25A Pro 3-way active studio monitors

The ATC SCM25A Pro is one of the finest active monitors in production today.

A trio of 6.5-inch woofers and 3-inch midrange drivers give way to a balanced sound, and a 1-inch tweeter with integrated waveguide finishes the job. With 235 watts RMS (600 watts peak) and built-in DSP for time alignment, a standard XLR connection, balanced and unbalanced RCA inputs, these speakers are ready to rock your mix.

With an accurate frequency response from 33Hz to 28kHz (-6dB), these monitors will let you hear everything you’ve been missing from your work.


  • Premium 3-way active studio monitors
  • Extremely accurate and life-like playback of your recordings
  • Proprietary speakers
  • 235W tri-amped monitor
  • Engineered to give you the best playback possible
  • Used by many professional engineers, producers, artists and studios
  • Sold as a pair
  • ATC’s 6-year limited warranty

Technical Specifications

  • Powered: Yes
  • Power Configuration: Tri-amped
  • Quantity: Pair
  • LF Driver Size: 6.5″
  • LF Driver Type: ATC Proprietary Short-coil
  • MF Driver Size: 3″
  • MF Driver Type: Soft Dome
  • HF Driver Size: 1″
  • HF Driver Type:Soft Dome
  • LF Driver Power Amp 150W
  • MF Driver Power Amp :60W
  • HF Driver Power Amp :25W
  • Total Power :235W
  • Frequency Range 47Hz-22kHz
  • Crossover Frequency: 380Hz, 3.5kHz
  • Maximum Peak SPL: 109 dB SPL
  • Input Types: 1 x XLR
  • Enclosure Type :Ported
  • Height: 10.4″
  • Width :16.9″
  • Depth: 14.5″
  • Weight 66 lbs.

Ex Machina Soundworks Pulsar MKII 3-way 8-inch Active Studio Monitors

The Ex Machina Soundworks Pulsar MKII Studio Monitors were designed to be the most accurate, efficient, and ridiculously loud monitors available.

These active three-way monitors are as versatile as they are powerful—they have a frequency range that goes down to 26 Hz and an upper frequency limit of 50 kHz.

They also feature a wide dynamic range of up to 130 dB SPL. The 10-inch mid-high driver and 8-inch midwoofer yield an enormous soundstage and enable you to replicate instruments with incredible precision.

And they’re astonishingly accurate—the frequency response is all within 1 dB of the mark, which enables you to mix with extreme precision.

With their high efficiency, these active three-way monitors provide excellent headroom without overheating. Their compact subwoofers also integrate easily into a variety of listening environments.

Throughout their development, the Pulsars were tested intensively in professional recording studios and broadcast facilities all over world—from Brooklyn’s own Avatar Studios in New York City to Studio 979 in Bangalore and countless others.


  • Sealed, highly braced Valchromat cabinet is more acoustically inert than MDF or plywood enclosures
  • SHARC DSP provides ultra-precise digital crossovers, protection limiters, and proprietary phase and magnitude calibration technology
  • High-performance AKM Velvet Sound converters ensure a pristine AD/DA path
  • Signature 18cm coaxial mid- and high-frequency drive unit offers a super-wide listening sweet spot and a life-like center image
  • Midrange range driver acts as an optimized waveguide for the concentric tweeter
  • Composite Sound Metamodal TX diaphragm tweeter exhibits a superb transient response and ample detail without harshness
  • 22cm subwoofer, designed and built by SEAS exclusively for Ex Machina Soundworks, provides the powerful, articulate thump of a large driver in a more compact form

Technical Specifications

  • Powered: Yes
  • Power Configuration: Tri-amped
  • Quantity: Pair
  • LF Driver Size: 9″ Woofer
  • LF Driver Type: Aluminum
  • MF Driver Size: 7″ Midrange
  • MF Driver Type: Composite Sound Metamodal TX
  • HF Driver Size: 1″ Tweeter
  • HF Driver Type:Composite Sound Metamodal TX
  • LF Driver Power Amp:250W RMS
  • MF Driver Power Amp:100W RMS
  • HF Driver Power Amp: 50W RMS
  • Total Power: 400W
  • Frequency Response: 35Hz-32kHz (±1dB)
  • Crossover Frequency: 200Hz (sub/mid), 2kHz (mid/tweeter)
  • Maximum Peak SPL: 110 dB SPL @ 1m
  • Input Types: 1 x XLR
  • USB :1 x Type B (firmware only)
  • Features: SHARC-based DSP Crossover and Calibration
  • Enclosure Type :Sealed
  • Enclosure Material: Valchromat Wood
  • Height: 19″
  • Width: 11.3″
  • Depth: 13.6″
  • Weight: 51 lbs.

Genelec 8331 SAM 3-way Coaxial Powered Studio Monitor

Genelec 8331 SAM 3-way Coaxial

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Active or Passive Studio monitors, everything you need to know when choosing which type monitors for your Studio

Active or Passive Studio monitors

Active or Passive Studio monitors, Are you looking to set up your own audio production studio? If so, you’ll need to make sure you have the right equipment. One of the key components you’ll need is a set of studio reference monitor speakers. But not just any speakers will do. Before you buy, you need to understand the difference between active and passive studio monitor speakers.

Active speakers are powered and have their own built-in amplifiers, while passive speakers require an external amplifier. Knowing the advantages and disadvantages of each will help you to make the best choice for your studio. Read on for a complete overview of the differences between active and passive studio monitor speakers and what you need to know before setting up your audio production studio.

What are active studio reference monitor speakers?

Active studio reference monitor speakers are powered speakers that have their own built-in amplifiers. As a result, they are self-contained and do not require an external amplifier. Depending on the specific model you choose, they may also come with extra features such as digital signal processing (DSP), delay and EQ settings, balanced inputs, and more.

This makes them a great choice if you’re looking to create a high-quality sound in your studio at an affordable price. Some of the most popular models of active studio monitor speakers are the Adam Audio AV3, the KRK Rokit, and the JBL LSR series. Keep in mind, however, that the term “active” is also often used to describe powered studio monitors as well. So make sure you know which type you’re getting.

Class A, B, D Amplification

Active studio reference monitors are equipped with built-in amplifiers that provide power to the drivers, allowing them to produce sound. There are a few different types of amplification that are commonly used in active studio reference monitors:

  1. Class A/B amplification: Class A/B amplification is a type of analog amplification that is commonly used in active studio reference monitors. It uses two separate amplifier stages, one operating in class A mode and the other in class B mode, to produce a more efficient and powerful output. Class A/B amplifiers tend to have a relatively warm and natural sound.
  2. Class D amplification: Class D amplification is a type of digital amplification that is becoming increasingly popular in active studio reference monitors. It uses pulse width modulation to produce a highly efficient output, resulting in a smaller and lighter amplifier. Class D amplifiers tend to have a clean and accurate sound, but they may not be as warm and natural-sounding as class A/B amplifiers.
  3. Hybrid amplification: Some active studio reference monitors use hybrid amplification, which combines elements of both class A/B and class D amplification. This can provide a combination of the efficiency and power of class D amplification with the warmth and natural sound of class A/B amplification.

It’s worth noting that the type of amplification used in an active studio reference monitor can affect the overall sound and performance of the monitor. Some people may prefer the warmth and natural sound of class A/B amplification, while others may prefer the clean and accurate sound of class D amplification. The best type of amplification for your specific needs will depend on your personal preferences and the specific requirements of your studio.

What are passive studio monitor speakers?

Passive studio monitor speakers are standard, un-powered speakers. They require an external amplifier to function and are less common in modern studios than active speakers. The main advantage of passive speakers is that they are often less expensive than active models. The main disadvantage, however, is that you will have to use an external amplifier.

This means that your entire setup will be more complex, and you’ll need space for both the speakers and the amplifier. In addition, the quality of the sound you get will be largely dependent on the amplifier you choose. If you want to get the best quality, an integrated amplifier is recommended. But if you’re on a budget and don’t mind sacrificing quality, you can use your computer’s sound card.

Advantages and Disadvantages of Active Studio Monitor Speakers

Active studio monitor speakers are powered and come with their own built-in amplifiers. While this does make them more expensive than passive models, it also makes for a simpler and less expensive setup overall. This can be especially important for people who are just starting out and don’t have a lot of space or money to work with.

Active speakers also often have other features such as digital signal processing (DSP), delay and EQ settings, balanced inputs, and more. These can be useful for creating an optimal sound in your studio. The disadvantage of active speakers is that they can be a bit heavier than passive speakers. This may make them less portable and make it harder to create the ultimate studio sound without an external mixer.

Advantages and Disadvantages of Passive Studio Monitor Speakers

Passive studio monitor speakers do not come with built-in amplifiers, so you will need to use an external amplifier in order to use them. The advantage of this, however, is that you have more flexibility and options when choosing your amplifier. You can go with a more budget-friendly option, or you can splurge on a high-end model if you want the best sound.

With active speakers, you’re pretty much limited to the amplifier that comes with the set. Another advantage of passive speakers is that they are often lighter than active speakers, making them easier to move around. And if you’re going for a more budget-friendly option, you can also find passive speakers for less than active models.

Tips for Choosing the Right Studio Monitor Speakers

When choosing your studio monitor speakers, keep these things in mind:

Amplifier Power – How much power does your amplifier have? This will help you decide how many speakers you need.

Impedance – The higher the impedance, the better the sound quality. Although this is often overlooked, it is an important factor to keep in mind when choosing your speakers.

Frequency Response – The wider the range of the frequency response, the better your sound quality will be. This is especially important if you’re a beginner and are just getting started in the world of audio production.

Sensitivity – The higher the sensitivity, the louder the speaker will be at a given volume. This is an important factor to keep in mind if you’re working in a small space and need to keep the noise level low.


Studio monitor speakers play a very important role in your audio setup. Depending on the type of speakers you choose, your audio production setup can go from average to amazing in just a few simple steps. That being said, it is important to choose the right set of speakers for your needs. And while there are many options on the market, active and passive speaker types are two of the most popular options available. Now that you know the difference between active and passive studio monitor speakers, you can choose the set that will best meet your needs and help you create a high-quality sound in your studio. And with the right equipment, your audio production studio can be as amazing as you want it to be!

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Genelec Studio Reference Monitors, The Best Engineering Again From Germany

Genelec Studio Reference Monitors, Understanding The 8000 Series: Genelec’s Comprehensive Studio Monitor Solution

Genelec Studio Reference Monitors

The Genelec 8000 series is their response to the changing world of audio. While speakers will always remain essential for monitoring in a recording space, new trends have emerged over the past few years that have led to an influx of compact and affordable speaker solutions. From small desktop monitors to computer speakers and all things in between, there are now more options than ever before. As such, Genelec decided to create a new monitor series that would be versatile enough to meet the needs of audio professionals across all segments: from project studios and home recordists to radio stations and mixing engineers working in large spaces. In this post we explore what makes the 8000 series different from other monitors, how they fit into their product line and how they improve on existing designs – without sacrificing performance or ergonomics. Let’s dive in…

Understanding Genelec’s product line

Genelec has a comprehensive range of products that includes both active and passive monitors. Their 8000 series is their latest range of active monitors, designed to be flexible enough to meet a variety of needs and fit into almost any studio environment. Genelec monitors are often used in two main configurations: Active: When the speaker is connected to a power amplifier. This is the standard configuration for most professional studios. Passive: When the speaker is connected to an amplifier and a source (such as a mixer or laptop) at the same time. This is the configuration used in project studios, home studios, and by radio stations. All Genelec monitors are designed with these two configurations in mind and are compatible with the most common networking formats and connectors. What differs between the models is their suggested applications and the level of performance. For example, the 8200 series is designed for engineers who prefer a slightly warmer and less accurate sound, whereas the 8350 series is designed for accuracy and wider frequency response.

8080: A Solid Foundation

The 8080 is Genelec’s most popular monitor, and for good reason. It offers high performance and accuracy, excellent ergonomics, and a very reasonable cost. It is a good choice for any monitoring environment and is often recommended as a starter monitor for project studios and home recordists. However, it has been around for almost a decade and is beginning to show its age. With the new 8000 series, the 8080 has been updated to the 8010 model, which retains its core strengths while adding new features and functionality. The 8010 is an excellent entry-level monitor that exemplifies the core design philosophies of the 8000 series: high performance, flexibility, and ergonomic design.

8110 and 8200: Versatile Studio Monitors For Any Space

The 8110 and 8200 are the most versatile models in the 8000 series. Both have excellent accuracy and frequency response, wider than that of the 8080. They’re also equipped with Genelec’s patented Wideband Paddle (WBP) function, which allows users to select a frequency response based on the size of their space. The 8110 is best suited for small to medium sized rooms, while the 8200 is optimized for larger spaces. Both are designed for a variety of monitoring applications: from tracking to mixing to mastering. They’re also ideal for mixing in-room with a DAW. As such, they’re a great choice for both project and commercial studio environments.

8250 and 8210: Adding Accuracy with a Near-field Monitor

As the name suggests, a near-field monitor is intended for use in a small and controlled listening environment. They’re typically used by engineers who need to be very aware of their monitor’s frequency response and want to avoid the room colouration that is inherent to most speakers. The 8250 and 8210 models are optimized for this environment and are best suited for recording studios, radio stations, and any other space where a controlled environment is preferred. They are, however, a less flexible monitor than the 8110 and 8200 and are often used in conjunction with a measurement microphone and room correction software to fine-tune the frequency response of a given space.

8330 and 8350: High Performance, Wide Response Speakers for Big Spaces

The 8330 and 8350 are designed for large spaces and high-performance monitoring. They boast Genelec’s widest frequency response and best performance in low-frequency applications. They are a great choice for professional studios that need a speaker that can handle high sound pressure levels (SPL) and a variety of different monitoring applications. They are often used on the main monitoring system in large control rooms and are generally accompanied by Genelec’s high-end subwoofer solutions. They’re also more aggressively priced than other Genelec models and make a great choice for both commercial and project studio owners.

What makes the 8000 series different?

In addition to Genelec’s core design philosophies, which are common among all their monitor products, the 8000 series has a few unique features. – Wideband Paddle technology: This patented technology allows the user to select a frequency response based on the size of their space. This means that the engineer can choose between a warmer, more bass-heavy response or a more accurate response that is best suited for smaller rooms. This feature is available on both the 8110 and 8200 models. – RBM ( Room-to-Beat Ratio): This is a feature that is unique to the 8330 and 8350 models. It allows the engineer to push the bass response up to +6dB, which makes it easier to mix in a larger room. – Bluetooth: All models in the 8000 series are equipped with Bluetooth connectivity, which makes it easy to play music from a phone or computer from up to 30 feet away. This feature is useful for music listening and A/B comparisons.


The Genelec 8000 series is a culmination of many years of experience in designing and manufacturing audio products. It shows the company’s dedication to constantly improving on their designs. While the 8000 series does build on the existing models in their product line, it also represents a significant departure from the past. It’s a flexible and versatile line of speakers that can be used in almost any studio environment, thanks to its wide frequency response, excellent performance, and ergonomic design. The 8000 series also boasts several unique features, such as Wideband Paddle technology and RBM, which set it apart from competitors. In short, the 8000 series is a great choice for any studio environment and will be sure to deliver reliable and accurate monitoring for years to come.

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KRK GoAux 3 and 4, Ultimate Portable Studio


Ladies and gentlemen, producers, dj’s, ear tuners, sound, and music perfectionists, this past october 22th KRK systems realesed whats sure to be the next best thing in studio reference monitors, now you can take the ultra crisp, clear, smoothe quality and clarity that one could only get in the studio any where you go.

What you say, no way man my reference monitors never leave the studio, theres nothing portable about reference monitors.

That was the case for most artists regardless of the brand, studio reference monitors are big, expensive and generally like to ensure the monitors position in the room is not altered by anyone, a great deal of effort goes into the proper placement of reference monitors in a studio for the best listening experience and optimal acoustics environment. Until now.


KRK GoAUX portable monitors come in 2 sizes the GoAUX 3 and GoAUX 4, for the non tuned ears out there that’s 30 years of KRK’s remarkable innovation and incredible near field reference Profesional grade sound we’ve come to know and love in a sleek 3 inch and 4 inch portable design. You won’t find a speaker of this size with Bluetooth capabilities and professional quality replicating sound to almost perfection anywhere else folks this is a whole new breed and first of its kind. Giving producers, engineers, dj’s, and hobbyists alike a whole new level of freedom and portability without losing that sound, you could before only get in the studio. Check out these features and specs:

  • Glass aramid woofers
  • One inch soft textile dome tweeter
  • Bi-amplified
  • Rear ported abs cabinet
  • Built in LF and HF EQ
  • Auto ARC ( automatic room correction)
  • 1/8 inch stereo output
  • with USB and 1/4 inch balanced stereo inputs

The GoAux 3 and GoAux 4 each come as a set of monitors, along with power and speaker cables, adjustable isolating stands, and a carrying bag. I can’t wait to get mine, it’ll be my Christmas present to myself. Get some and tune your ears!!